JULIA DOMNA Nicopolis ad Istrum Ancient Roman Coin DIONYSUS WINE GOD i84044

Description

Item:
i84044
Authentic Ancient Coin of:
Julia Domna
–
Roman Empress
Wife of
Emperor
Septimius Severus
193-211 A.D. –
Bronze 17mm (3.22 grams) of
Nicopolis ad Istrum
in Moesia Inferior
ΙΟVΛΙΑ ΔΟΜΝΑ CE, Draped bust of Julia Domna right.
NIKOΠOΛI ΠPOC ICTP, Nude Dionysus standing left, holding bunch of grapes and thyrsos.
You are bidding on the exact item pictured, provided with a Certificate of Authenticity and Lifetime Guarantee of Authenticity.
A
thyrsus
or
thyrsos
was a wand or staff of giant fennel (
Ferula communis
) covered with ivy vines and leaves, sometimes wound with taeniae and always topped with a pine cone.
Symbolism
The thyrsus, associated with Dionysus (or Bacchus) and his followers, the Satyrs and Maenads, is a symbol of prosperity, fertility, hedonism, and pleasure/enjoyment in general. It has been suggested that this was specifically a fertility phallus, with the fennel representing the shaft of the penis and the pine cone representing the “seed” issuing forth. The thyrsus was tossed in the Bacchic dance:
Pentheus
: The thyrsus- in my right hand shall I hold it?
Or thus am I more like a Bacchanal?
Dionysus
: In thy right hand, and with thy right foot raise it”.
Sometimes the thyrsus was displayed in conjunction with a kantharos wine cup, another symbol of Dionysus, forming a male-and-female combination like that of the royal scepter and orb.
Use
In Greek religion, the staff was carried by the votaries of Dionysus. Euripides wrote that honey dripped from the thyrsos staves that the Bacchic maenads carried. The thyrsus was a sacred instrument at religious rituals and fêtes.
The fabulous history of Bacchus relates that he converted the thyrsi carried by himself and his followers into dangerous weapons, by concealing an iron point in the head of leaves. Hence his thyrsus is called “a spear enveloped in vine-leaves”, and its point was thought to incite to madness.
Literature
In the
Iliad
, Diomedes, one of the leading warriors of the Achaeans, mentions the thyrsus while speaking to Glaucus, one of the Lycian commanders in the Trojan army, about Lycurgus, the king of Scyros:
He it was that/drove the nursing women who were in charge/of frenzied Bacchus through the land of Nysa,/and they flung their
thyrsi
on the ground as/murderous Lycurgus beat them with his ox-/goad. (
Iliad
, Book VI.132-37)
The thyrsus is explicitly attributed to Dionysus in Euripides’s play
The Bacchae
as part of the costume of the Dionysian cult.
…To raise my Bacchic shout, and clothe all who respond/ In fawnskin habits, and put my
thyrsus
in their hands-/ The weapon wreathed with ivy-shoots…” Euripides also writes, “There’s a brute wildness in the fennel-wands-Reverence it well.” (
The Bacchae and Other Plays
, trans. by Philip Vellacott, Penguin, 1954.)
Plato writes in
Phaedo
:
I conceive that the founders of the mysteries had a real meaning and were not mere triflers when they intimated in a figure long ago that he who passes unsanctified and uninitiated into the world below will live in a slough, but that he who arrives there after initiation and purification will dwell with the gods. For “many,” as they say in the mysteries, “are the
thyrsus
bearers, but few are the mystics,”–meaning, as I interpret the words, the true philosophers.
In Part II of Johann Wolfgang von Goethe’s
Faust
, Mephistopheles tries to catch a Lamia, only to find out that she is an illusion:
Well, then, a tall one I will catch…/And now a
thyrsus
-pole I snatch!/Only a pine-cone as its head. (7775-7777)
Robert Browning mentions the thyrsus in passing in
The Bishop Orders His Tomb at St Praxed’s Church
, as the dying bishop confuses Christian piety with classical extravagance:
The bas-relief in bronze ye promised me,/Those Pans and nymphs ye wot of, and perchance/Some tripod,
thrysus
, with a vase or so, (56-58)
Dionysus
is the god of the grape harvest, winemaking and wine, of ritual madness, fertility, theatre and religious ecstasy in Greek mythology. Alcohol, especially wine, played an important role in Greek culture with Dionysus being an important reason for this life style. His name, thought to be a theonym in Linear B tablets as
di-wo-nu-so
(KH Gq 5 inscription), shows that he may have been worshipped as early as c. 1500-1100 BC by Mycenean Greeks; other traces of the Dionysian-type cult have been found in ancient Minoan Crete. His origins are uncertain, and his cults took many forms; some are described by ancient sources as Thracian, others as Greek. In some cults, he arrives from the east, as an Asiatic foreigner; in others, from Ethiopia in the South. He is a god of epiphany, “the god that comes”, and his “foreignness” as an arriving outsider-god may be inherent and essential to his cults. He is a major, popular figure of Greek mythology and religion, and is included in some lists of the twelve Olympians. Dionysus was the last god to be accepted into Mt. Olympus. He was the youngest and the only one to have a mortal mother. His festivals were the driving force behind the development of Greek theatre. Modern scholarship categorises him as a dying-and-rising god.
The earliest cult images of Dionysus show a mature male, bearded and robed. He holds a fennel staff, tipped with a pine-cone and known as a
thyrsus
. Later images show him as a beardless, sensuous, naked or half-naked androgynous youth: the literature describes him as womanly or “man-womanish”. In its fully developed form, his central cult imagery shows his triumphant, disorderly arrival or return, as if from some place beyond the borders of the known and civilized. His procession
(thiasus)
is made up of wild female followers (maenads) and bearded satyrs with erect penises. Some are armed with the
thyrsus
, some dance or play music. The god himself is drawn in a chariot, usually by exotic beasts such as lions or tigers, and is sometimes attended by a bearded, drunken Silenus. This procession is presumed to be the cult model for the human followers of his Dionysian Mysteries. In his Thracian mysteries, he wears the
bassaris
or fox-skin, symbolizing a new life. Dionysus is represented by city religions as the protector of those who do not belong to conventional society and thus symbolizes everything which is chaotic, dangerous and unexpected, everything which escapes human reason and which can only be attributed to the unforeseeable action of the gods.
Also known as
Bacchus
, the name adopted by the Romans and the frenzy he induces,
bakkheia
. His
thyrsus
is sometimes wound with ivy and dripping with honey. It is a beneficent wand but also a weapon, and can be used to destroy those who oppose his cult and the freedoms he represents. He is also called
Eleutherios
(“the liberator”), whose wine, music and ecstatic dance frees his followers from self-conscious fear and care, and subverts the oppressive restraints of the powerful. Those who partake of his mysteries are possessed and empowered by the god himself. His cult is also a “cult of the souls”; his maenads feed the dead through blood-offerings, and he acts as a divine communicant between the living and the dead.
In Greek mythology, he is presented as a son of Zeus and the mortal Semele, thus semi-divine or heroic: and as son of Zeus and Persephone or Demeter, thus both fully divine, part-chthonic and possibly identical with Iacchus of the Eleusinian Mysteries. Some scholars believe that Dionysus is a syncretism of a local Greek nature deity and a more powerful god from Thrace or Phrygia such as Sabazios or Zalmoxis.
Nicopolis ad Istrum
was a Roman and Early Byzantine town founded by Emperor Trajan around 101-106, at the junction of the Iatrus (Yantra) and the Rositsa rivers, in memory of his victory over the Dacians. Its ruins are located at the village of Nikyup, 20 km north of Veliko Tarnovo in northern Bulgaria. The town reached its apogee during the reigns of Trajan, Hadrian, the Antonines and the Severan dynasty.
The classical town was planned according to the orthogonal system. The network of streets, the forum surrounded by an Ionic colonnade and many buildings, a two-nave room later turned into a basilica and other public buildings have been uncovered. The rich architectures and sculptures show a similarity with those of the ancient towns in Asia Minor. Nicopolis ad Istrum had issued coins, bearing images of its own public buildings.
In 447 AD, the town was destroyed by Attila’s Huns. Perhaps it was already abandoned before the early 400s. In the 6th century, it was rebuilt as a powerful fortress enclosing little more than military buildings and churches, following a very common trend for the cities of that century in the Danube area.The largest area of the extensive ruins (21.55 hectares) of the classical Nicopolis was not reoccupied since the fort covered only one fourth of it (5.75 hectares), in the southeastern corner. The town became an episcopal centre during the early Byzantine period. It was finally destroyed by the Avar invasions at the end of the 6th century. A Bulgarian medieval settlement arose upon its ruins later (10th-14th century).
Nicopolis ad Istrum can be said to have been the birthplace of Germanic literary tradition. In the 4th century, the Gothic bishop, missionary and translator Ulfilas (Wulfila) obtained permission from Emperor Constantius II to immigrate with his flock of converts to Moesia and settle near Nicopolis ad Istrum in 347-8. There, he invented the Gothic alphabet and translated the Bible from Greek to Gothic.
Julia Domna
–
Augusta
193-217 A.D.
| Wife of
Septimius Severus
| Mother of
Caracalla
and
Geta
| Sister of
Julia Maesa
| Aunt of
Julia Soaemias
and
Julia Mamaea
|  Great-aunt of
Elagabalus
and
Severus Alexander
| Mother-in-law of
Plautilla
|
Julia Domna
, (Latin:
Iulia Domna
; c. 170 AD – 217 AD) was a member of the Severan dynasty of the Roman Empire. Empress and wife of Roman Emperor Lucius Septimius Severus and mother of Emperors Geta and Caracalla, Julia was famous for her prodigious learning as well as her extraordinary political influence.
Family background
Julia Domna was born in Emesa (known today as Homs) in Syria. She was the youngest daughter of the high-priest of Ba’al Gaius Julius Bassianus and sister to Julia Maesa, and she had two nieces: Julia Mamaea, mother of Severus Alexander, and Julia Soaemias, mother of Elagabalus. Her ancestors were Priest Kings of the famous temple of Elagabalus. The family had enormous wealth and was promoted to Roman senatorial aristocracy. Before her marriage, Julia inherited the estate of her paternal great-uncle Julius Agrippa, a former leading Centurion.
Reign
In the late 180s, Julia married future emperor Septimius Severus, usually considered to be of Punic background. They had two sons, Lucius Septimius Bassianus (Caracalla) in 188 and Publius Septimius Geta in 189. Because of her love of philosophy, Julia protected philosophers and helped philosophy to flourish in Rome. She was an imperial woman from 193-217 CE as wife to the emperor Septimius Severus and mother to emperors Geta (murdered by Caracalla in 211 CE) and Caracalla (r. 211-217 CE). Julia Domna died shortly after her son Caracalla was murdered.
Civil War or “Year of the Five Emperors”
After Commodus was murdered without an heir in 192 CE, many contenders rushed for the throne. An elder senator, Pertinax, was appointed by the praetorian guard. When Pertinax would not meet the guard’s demands of payment, his son-in-law Iulianus was called to Rome. After bribing the guard, Iulianus was appointed emperor, and Pertinax was murdered. Septimius Severus, coming from the north into Rome, overthrew Iulianus and had him executed. Septimius claimed the title of emperor in 193, and co-ruled Rome with Clodius Albinus until 195 CE when Septimius declared his sons AVGVSTVS, and defeated Albinus and his British legions. Septimius remained at war with an eastern rival to the throne, Niger, until he defeated Niger’s forces in 201 CE. Julia Domna and her sons accompanied Septimius in his campaigns in the East. During this time, titles were granted to Julia Domna reminiscent of titles given to Faustina the Younger, including MATER CASTORVM, or mother of the camp, MATER AVGVSTVS, mother of Augustus, and MATER PATRIAE, or mother of the fatherland.
Imperial Building Project: The
aedes Vestae
The fire of Commodus in 192 CE destroyed areas of the
aedes Vestae
which includes the Temple of Vesta and the home, or Atrium, of the Vestal Virgins. Based on numismatic evidence, historical authors, and a laconic inscription found
in situ
, most scholars agree that Julia Domna funded restorations to the site during Septimius Severus’s reign.
Controversy and transition of power
As empress, Julia was often involved in intrigues and had plenty of political enemies, who accused her of treason and adultery. None of these accusations was proven. Severus continued to favour his wife and insisted on her company in the campaign against the Britons that started in 208. When Severus died in 211 in Eboracum (York), Julia became the mediator between their two sons, Caracalla and Geta, who were to rule as joint emperors, according to their father’s wishes expressed in his will. The two young men were never fond of each other and quarrelled frequently. Geta was murdered by Caracalla’s soldiers in the same year.
Caracalla was now sole emperor, but his relations with his mother were difficult, as attested by several sources, probably because of his involvement in Geta’s murder. Nevertheless, Julia accompanied Caracalla in his campaign against the Parthian empire in 217.
During this trip, Caracalla was assassinated and succeeded (briefly) by Macrinus. Julia chose to commit suicide after hearing about the rebellion, perhaps a decision hastened by the fact that she was suffering from breast cancer. Her body was brought to Rome and placed in the
Sepulcrum C. et L. Caesaris
(perhaps a separate chamber in the Mausoleum of Augustus). Later, however, both her bones and those of Geta were transferred by her sister Julia Maesa to the Mausoleum of Hadrian. She was later deified.
Apollonius
If it were not for Julia, there would have survived little information about the philosopher Apollonius of Tyana. It was at the behest of Julia that Philostratus wrote his now famous
Life of Apollonius of Tyana
. Julia is thought to have died before Philostratus could finish his work of eight volumes.
Frequently Asked Questions
Mr. Ilya Zlobin
, world-renowned expert numismatist, enthusiast, author and dealer in authentic ancient Greek, ancient Roman, ancient Byzantine, world coins & more.
Who am I dealing with?
You are dealing with Ilya Zlobin, ancient coin expert, enthusiast, author and dealer with an online store having a selection of over 15,000 items with great positive feedback from verified buyers and over 10 years experience dealing with over 57,000 ancient and world coins and artifacts. Ilya Zlobin is an independent individual who has a passion for coin collecting, research and understanding the importance of the historical context and significance all coins and objects represent. Most others are only concerned with selling you, Ilya Zlobin is most interested in educating you on the subject, and providing the largest selection, most professional presentation and service for the best long-term value for collectors worldwide creating returning patrons sharing in the passion of ancient and world coin collecting for a lifetime.
How long until my order is shipped?
Orders are shipped by the next business day (after receipt of payment) most of the time.
How will I know when the order was shipped?
After your order has shipped, you will be left positive feedback, and that date could be used as a basis of estimating an arrival date. Any tracking number would be found under your ‘Purchase history’ tab.
USPS First Class mail takes about 3-5 business days to arrive in the U.S. International shipping times cannot be estimated as they vary from country to country.
Standard international mail to many countries
does not
include a tracking number, and can also be slow sometimes.
For a tracking number and signature confirmation, you may want to do Express Mail International Shipping, which costs more, however, is the fastest and most secure. Additionally you may be able to receive your order in as little as 3-5 business days using this method. For Express Mail International, it may be possible to place up to 10-15 items in one package (for the one shipping cost) as it is flat rate envelope, which may be the most cost-effective, secure and fastest way to receive items internationally. Send me a message about this and I can update your invoice should you want this method.
Getting your order to you, quickly and securely is a top priority and is taken seriously here.
Great care is taken in packaging and mailing every item securely and quickly.
Please be aware, I cannot take responsibility for any postal service delivery delays, especially for international packages as it may happen in rare instances.
What is a certificate of authenticity and what guarantees do you give that the item is authentic?
Each of the items sold here, is provided with a Certificate of Authenticity, and a Lifetime Guarantee of Authenticity, issued by a world-renowned numismatic and antique expert that has identified over 57,000 ancient coins and has provided them with the same guarantee. You will be very happy with what you get with the COA; a professional presentation of the coin, with all of the relevant information and a picture of the coin you saw in the listing. Additionally, the coin is inside it’s own protective coin flip (holder), with a 2×2 inch description of the coin matching the individual number on the COA.
On the free-market such a presentation alone, can be considered a $25-$50 value all in itself, and it comes standard with your purchases from me,
FREE.
With every purchase, you are leveraging my many years of experience to get a more complete context and understanding of the piece of history you are getting. Whether your goal is to collect or give the item as a gift, coins presented like this could be more prized and valued higher than items that were not given such care and attention to.
Buy a coin today and own a piece of history, guaranteed.
Is there a money back guarantee?
I offer a 30 day unconditional money back guarantee. I stand behind my coins and would be willing to exchange your order for either store credit towards other coins, or refund, minus shipping expenses, within 30 days from the receipt of your order. My goal is to have the returning customers for a lifetime, and I am so sure in my coins, their authenticity, numismatic value and beauty, I can offer such a guarantee.
When should I leave feedback?
Once you receive your order, please leave a positive feedback. Please don’t leave any negative feedbacks, as it happens sometimes that people rush to leave feedback before letting sufficient time for their order to arrive. Also, if you sent an email, make sure to check for my reply in your messages before claiming that you didn’t receive a response. The matter of fact is that any issues can be resolved, as reputation is most important to me. My goal is to provide superior products and quality of service.
How and where do I learn more about collecting ancient coins?
Visit the
“Guide on How to Use My Store”
for on an overview about using my store, with additional information and links to all other parts of my store which may include educational information on topics you are looking for.